{"id":3449,"date":"2026-01-07T05:55:55","date_gmt":"2026-01-07T05:55:55","guid":{"rendered":"https:\/\/klangkunst.co\/?p=3449"},"modified":"2026-04-02T14:08:58","modified_gmt":"2026-04-02T14:08:58","slug":"across-centuries","status":"publish","type":"post","link":"https:\/\/klangkunst.co\/th\/blog\/2026\/01\/07\/across-centuries\/","title":{"rendered":"Across Centuries"},"content":{"rendered":"<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>31st January 2026<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">19.00<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Goethe-Saal, \u0e2a\u0e16\u0e32\u0e1a\u0e31\u0e19\u0e40\u0e01\u0e2d\u0e40\u0e18\u0e48 \u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e44\u0e17\u0e22<\/p>\n\n\n\n<p class=\"has-text-align-center\">18\/1 \u0e0b\u0e2d\u0e22\u0e40\u0e01\u0e2d\u0e40\u0e18\u0e48 \u0e2a\u0e32\u0e17\u0e231 \u0e01\u0e23\u0e38\u0e07\u0e40\u0e17\u0e1e\u0e2f 10120 \u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e44\u0e17\u0e22<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u0e1a\u0e31\u0e15\u0e23\u0e40\u0e02\u0e49\u0e32\u0e0a\u0e21<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u0e1a\u0e38\u0e04\u0e04\u0e25\u0e17\u0e31\u0e48\u0e27\u0e44\u0e1b 800 \u0e1a\u0e32\u0e17\/ \u0e19\u0e31\u0e01\u0e40\u0e23\u0e35\u0e22\u0e19 \u0e19\u0e31\u0e01\u0e28\u0e36\u0e01\u0e29\u0e32 350 \u0e1a\u0e32\u0e17<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u0e2a\u0e32\u0e21\u0e32\u0e23\u0e16\u0e2a\u0e33\u0e23\u0e2d\u0e07\u0e17\u0e35\u0e48\u0e19\u0e31\u0e48\u0e07\u0e44\u0e14\u0e49\u0e17\u0e35\u0e48&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"mailto:info.klangkunst@gmail.com\">info.klangkunst@gmail.com<\/a> \u0e2b\u0e23\u0e37\u0e2d <a href=\"https:\/\/lin.ee\/cx7AqzU?fbclid=IwAR1JNWGW-e4sLG8usKeXgPz4WSUOLEYQDZUo2F4dLIdo4HuKGoRKvJRZVd0\">https:\/\/lin.ee\/cx7AqzU<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\">Step into a world of sound shaped by history, mastery, and living tradition.<br><br><strong>Across Centuries<\/strong>&nbsp;brings together a remarkable musical lineage, led by legendary oboist&nbsp;<strong>Thomas Inderm\u00fchle<\/strong>\u2014one of the most influential voices of the instrument today. He is joined by Thai oboist&nbsp;<strong>Nuttha Kuankajorn<\/strong>, with&nbsp;<strong>Kunatorn Teekakul<\/strong>&nbsp;on bassoon and&nbsp;<strong>\u0e23\u0e2a\u0e34\u0e01\u0e21\u0e19 \u0e28\u0e34\u0e22\u0e30\u0e1e\u0e07\u0e29\u0e4c<\/strong>&nbsp;at the piano.<\/p>\n\n\n\n<p>The first half journeys through the elegance of&nbsp;<strong>Fran\u00e7ois Couperin\u2019s&nbsp;<em>Les Nations<\/em><\/strong>, the emotional depth of&nbsp;<strong>C.P.E. Bach<\/strong>, and the brilliant virtuosity of&nbsp;<strong>Federigo Fiorillo<\/strong>. After intermission, the spotlight turns to the modern era with&nbsp;<strong>Akira Nishimura\u2019s&nbsp;<em>Shijin \u2013 The Four Symbols<\/em><\/strong>, performed in a special solo version arranged by Thomas Inderm\u00fchle. The program then returns to Baroque vitality with&nbsp;<strong>Georg Philipp Telemann<\/strong>, before the evening concludes with the timeless charm of&nbsp;<strong>Toots Thielemans\u2019&nbsp;<em>Bluesette<\/em><\/strong>.<br><br><strong>Across Centuries<\/strong>&nbsp;is a concert of dialogue, tradition, and living artistry.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background is-style-wide\"\/>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:23px\"><strong>\u0e23\u0e32\u0e22\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Fran\u00e7ois Couperin (1668-1733)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><em>Les Nations, Seconde Ordre: L&#8217;Espagnole<\/em>&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">I. gravement, et mesur\u00e9<\/p>\n\n\n\n<p class=\"has-text-align-center\">II. vivement<\/p>\n\n\n\n<p class=\"has-text-align-center\">III. affectu\u00ebusement<\/p>\n\n\n\n<p class=\"has-text-align-center\">IV. l\u00e9g\u00e9rement<\/p>\n\n\n\n<p class=\"has-text-align-center\">V. gay\u00ebment<\/p>\n\n\n\n<p class=\"has-text-align-center\">VI. air Tendre<\/p>\n\n\n\n<p class=\"has-text-align-center\">VII. vivement, et marqu\u00e9<\/p>\n\n\n\n<p class=\"has-text-align-center\">XVII. passacaille<\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><strong>Carl Philipp Emanuel Bach (1714-1788)<\/strong>&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><span><i><em>Sonata in G Minor Wq. 135 \/ H. 549<\/em><\/i><\/span><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">I. Adagio<\/p>\n\n\n\n<p class=\"has-text-align-center\">II. Allegro<\/p>\n\n\n\n<p class=\"has-text-align-center\">III. Vivace<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><strong>Federigo Fiorillo (1753-1823)<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><em>Sinfonia Concertante in F Major<\/em><\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">I. Allegro<\/p>\n\n\n\n<p class=\"has-text-align-center\">II. Rondo: Allegretto<\/p>\n\n\n\n<p class=\"has-text-align-center\">III. Allegro<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u0e1e\u0e31\u0e01\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Akira Nishimura (1953-2023)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>White Tiger for Oboe solo (Arr. Thomas Inderm\u00fchle)<br>from Oboe Concerto 4 Seasons: Autumn<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Georg Philipp Telemann (1681 &#8211; 1767)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><em>&nbsp;Suite 6 in D Minor from &#8220;6 Concertos, 6 Suites\u201d TWV 42<\/em><br><br><\/em><\/strong>I. Dolce &#8211; Allegro &#8211; Dolce &#8211; Allegro &#8211; Adagio<\/p>\n\n\n\n<p class=\"has-text-align-center\">II. Vivace<\/p>\n\n\n\n<p class=\"has-text-align-center\">III. Allegro<\/p>\n\n\n\n<p class=\"has-text-align-center\">IV. Andante<\/p>\n\n\n\n<p class=\"has-text-align-center\">V. Presto<\/p>\n\n\n\n<p class=\"has-text-align-center\">VI. Moderato<\/p>\n\n\n\n<p class=\"has-text-align-center\">VII. Vivace<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toots Thielemans (1922\u20142016)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em><em><strong>Bluesette (Arr. Odelia Hodorov)<\/strong><\/em><\/em><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong><strong>Thomas Inderm\u00fchle<\/strong><\/strong>, Oboe<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Nuttha Kuankajorn<\/strong>, Oboe<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Kunatorn Teekakul<\/strong>, Bassoon<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u0e23\u0e2a\u0e34\u0e01\u0e21\u0e19 \u0e28\u0e34\u0e22\u0e30\u0e1e\u0e07\u0e29\u0e4c<\/strong>, \u0e40\u0e1b\u0e35\u0e22\u0e42\u0e19<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\"><strong>\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"253\" height=\"337\" src=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c.jpg\" alt=\"\" class=\"wp-image-3423\" srcset=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c.jpg 253w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c-225x300.jpg 225w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c-9x12.jpg 9w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c-18x24.jpg 18w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c-27x36.jpg 27w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/10\/\u0e08\u0e14\u0e2b\u0e21\u0e32\u0e22\u0e02\u0e2d\u0e04\u0e27\u0e32\u0e21\u0e2d\u0e19\u0e38\u0e40\u0e04\u0e23\u0e32\u0e30\u0e2b\u0e4c-75x100.jpg 75w\" sizes=\"auto, (max-width: 253px) 100vw, 253px\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\"><strong><strong><strong>Thomas Inderm\u00fchle<\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p>\u0e40\u0e01\u0e34\u0e14\u0e17\u0e35\u0e48\u0e40\u0e21\u0e37\u0e2d\u0e07\u0e41\u0e1a\u0e23\u0e4c\u0e19\u0e43\u0e19\u0e1b\u0e35 \u0e04.\u0e28. 1951 \u0e42\u0e18\u0e21\u0e31\u0e2a \u0e2d\u0e34\u0e19\u0e40\u0e14\u0e2d\u0e23\u0e4c\u0e21\u0e37\u0e2d\u0e40\u0e25\u0e2d \u0e40\u0e1b\u0e47\u0e19\u0e17\u0e32\u0e22\u0e32\u0e17\u0e02\u0e2d\u0e07\u0e15\u0e23\u0e30\u0e01\u0e39\u0e25\u0e19\u0e31\u0e01\u0e14\u0e19\u0e15\u0e23\u0e35\u0e0a\u0e32\u0e27\u0e2a\u0e27\u0e34\u0e2a \u0e40\u0e02\u0e32\u0e28\u0e36\u0e01\u0e29\u0e32\u0e01\u0e31\u0e1a\u0e44\u0e2e\u0e19\u0e0b\u0e4c \u0e2e\u0e2d\u0e25\u0e25\u0e34\u0e40\u0e01\u0e2d\u0e23\u0e4c \u0e17\u0e35\u0e48\u0e42\u0e23\u0e07\u0e40\u0e23\u0e35\u0e22\u0e19\u0e14\u0e19\u0e15\u0e23\u0e35\u0e41\u0e2b\u0e48\u0e07\u0e23\u0e31\u0e10\u0e44\u0e1f\u0e23\u0e1a\u0e27\u0e23\u0e4c\u0e01 (Staatliche Musikhochschule Freiburg im Breisgau) \u0e41\u0e25\u0e30\u0e28\u0e36\u0e01\u0e29\u0e32\u0e01\u0e31\u0e1a\u0e21\u0e2d\u0e23\u0e34\u0e0b \u0e1a\u0e39\u0e23\u0e4c\u0e01 (Maurice Bourgue) \u0e17\u0e35\u0e48\u0e01\u0e23\u0e38\u0e07\u0e1b\u0e32\u0e23\u0e35\u0e2a \u0e2b\u0e25\u0e31\u0e07\u0e08\u0e32\u0e01\u0e19\u0e31\u0e49\u0e19\u0e40\u0e02\u0e32\u0e43\u0e0a\u0e49\u0e40\u0e27\u0e25\u0e32\u0e2b\u0e25\u0e32\u0e22\u0e1b\u0e35\u0e43\u0e19\u0e10\u0e32\u0e19\u0e30\u0e42\u0e2d\u0e42\u0e1a\u0e42\u0e0b\u0e42\u0e25\u0e02\u0e2d\u0e07\u0e27\u0e07\u0e40\u0e19\u0e40\u0e18\u0e2d\u0e23\u0e4c\u0e41\u0e25\u0e19\u0e14\u0e4c\u0e41\u0e0a\u0e21\u0e40\u0e1a\u0e2d\u0e23\u0e4c\u0e2d\u0e2d\u0e23\u0e4c\u0e40\u0e04\u0e2a\u0e15\u0e23\u0e32 \u0e41\u0e25\u0e30\u0e27\u0e07\u0e23\u0e2d\u0e15\u0e40\u0e17\u0e2d\u0e23\u0e4c\u0e14\u0e31\u0e21\u0e1f\u0e34\u0e25\u0e2e\u0e32\u0e23\u0e4c\u0e42\u0e21\u0e19\u0e34\u0e01\u0e2d\u0e2d\u0e23\u0e4c\u0e40\u0e04\u0e2a\u0e15\u0e23\u0e32 \u0e43\u0e19\u0e1b\u0e35 \u0e04.\u0e28. 1974 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e23\u0e31\u0e1a\u0e23\u0e32\u0e07\u0e27\u0e31\u0e25\u0e08\u0e32\u0e01\u0e01\u0e32\u0e23\u0e1b\u0e23\u0e30\u0e01\u0e27\u0e14\u0e14\u0e19\u0e15\u0e23\u0e35\u0e19\u0e32\u0e19\u0e32\u0e0a\u0e32\u0e15\u0e34 Prague Spring \u0e41\u0e25\u0e30\u0e43\u0e19\u0e1b\u0e35 \u0e04.\u0e28. 1976 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e23\u0e31\u0e1a\u0e23\u0e32\u0e07\u0e27\u0e31\u0e25\u0e08\u0e32\u0e01\u0e01\u0e32\u0e23\u0e1b\u0e23\u0e30\u0e01\u0e27\u0e14\u0e14\u0e19\u0e15\u0e23\u0e35\u0e19\u0e32\u0e19\u0e32\u0e0a\u0e32\u0e15\u0e34 ARD \u0e17\u0e35\u0e48\u0e40\u0e21\u0e37\u0e2d\u0e07\u0e21\u0e34\u0e27\u0e19\u0e34\u0e01&nbsp;<\/p>\n\n\n\n<p>\u0e15\u0e31\u0e49\u0e07\u0e41\u0e15\u0e48\u0e19\u0e31\u0e49\u0e19\u0e21\u0e32 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e41\u0e2a\u0e14\u0e07\u0e40\u0e1b\u0e47\u0e19\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19\u0e40\u0e14\u0e35\u0e48\u0e22\u0e27\u0e43\u0e19\u0e40\u0e01\u0e37\u0e2d\u0e1a\u0e17\u0e38\u0e01\u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e43\u0e19\u0e22\u0e38\u0e42\u0e23\u0e1b \u0e23\u0e27\u0e21\u0e16\u0e36\u0e07\u0e2a\u0e2b\u0e23\u0e31\u0e10\u0e2d\u0e40\u0e21\u0e23\u0e34\u0e01\u0e32 \u0e41\u0e04\u0e19\u0e32\u0e14\u0e32 \u0e40\u0e21\u0e47\u0e01\u0e0b\u0e34\u0e42\u0e01 \u0e0d\u0e35\u0e48\u0e1b\u0e38\u0e48\u0e19 \u0e40\u0e01\u0e32\u0e2b\u0e25\u0e35 \u0e41\u0e25\u0e30\u0e2d\u0e2d\u0e2a\u0e40\u0e15\u0e23\u0e40\u0e25\u0e35\u0e22 \u0e04\u0e35\u0e15\u0e01\u0e27\u0e35\u0e0a\u0e31\u0e49\u0e19\u0e19\u0e33\u0e2d\u0e22\u0e48\u0e32\u0e07 \u0e41\u0e21\u0e19\u0e40\u0e1f\u0e23\u0e14 \u0e17\u0e23\u0e2d\u0e22\u0e32\u0e19 (Manfred Trojahn), \u0e42\u0e27\u0e25\u0e4c\u0e1f\u0e01\u0e31\u0e07 \u0e23\u0e34\u0e21\u0e4c (Wolfgang Rihm), \u0e40\u0e14\u0e27\u0e34\u0e14 \u0e1f\u0e34\u0e25\u0e34\u0e1b \u0e40\u0e2e\u0e1f\u0e15\u0e35 (David Philip Hefti) \u0e41\u0e25\u0e30 \u0e2d\u0e32\u0e01\u0e34\u0e23\u0e30 \u0e19\u0e34\u0e0a\u0e34\u0e21\u0e39\u0e23\u0e30 (Akira Nishimura) \u0e44\u0e14\u0e49\u0e1b\u0e23\u0e30\u0e1e\u0e31\u0e19\u0e18\u0e4c\u0e04\u0e2d\u0e19\u0e41\u0e0a\u0e23\u0e4c\u0e42\u0e15\u0e2a\u0e33\u0e2b\u0e23\u0e31\u0e1a\u0e42\u0e2d\u0e42\u0e1a\u0e43\u0e2b\u0e49\u0e41\u0e01\u0e48\u0e42\u0e18\u0e21\u0e31\u0e2a\u0e42\u0e14\u0e22\u0e40\u0e09\u0e1e\u0e32\u0e30\n\u0e2a\u0e34\u0e48\u0e07\u0e17\u0e35\u0e48\u0e21\u0e35\u0e04\u0e27\u0e32\u0e21\u0e2a\u0e33\u0e04\u0e31\u0e0d\u0e2d\u0e22\u0e48\u0e32\u0e07\u0e22\u0e34\u0e48\u0e07\u0e15\u0e48\u0e2d\u0e40\u0e02\u0e32 \u0e44\u0e14\u0e49\u0e41\u0e01\u0e48 \u201c\u0e40\u0e2d\u0e19\u0e0b\u0e2d\u0e07\u0e1a\u0e4c \u0e04\u0e39\u0e41\u0e1b\u0e23\u0e07\u201d (Ensemble Couperin) \u0e01\u0e32\u0e23\u0e17\u0e33\u0e07\u0e32\u0e19\u0e43\u0e19\u0e10\u0e32\u0e19\u0e30\u0e27\u0e32\u0e17\u0e22\u0e01\u0e23 \u0e41\u0e25\u0e30\u0e01\u0e32\u0e23\u0e2a\u0e2d\u0e19\u0e28\u0e34\u0e29\u0e22\u0e4c\u0e02\u0e2d\u0e07\u0e40\u0e02\u0e32 \u0e2d\u0e34\u0e19\u0e40\u0e14\u0e2d\u0e23\u0e4c\u0e21\u0e37\u0e2d\u0e40\u0e25\u0e2d\u0e23\u0e31\u0e1a\u0e1c\u0e34\u0e14\u0e0a\u0e2d\u0e1a\u0e01\u0e32\u0e23\u0e2a\u0e2d\u0e19\u0e0a\u0e31\u0e49\u0e19\u0e40\u0e23\u0e35\u0e22\u0e19\u0e42\u0e2d\u0e42\u0e1a\u0e17\u0e35\u0e48\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22\u0e14\u0e19\u0e15\u0e23\u0e35\u0e40\u0e21\u0e37\u0e2d\u0e07\u0e0b\u0e39\u0e23\u0e34\u0e01 (Z\u00fcrich Conservatorium ZHdK) \u0e15\u0e31\u0e49\u0e07\u0e41\u0e15\u0e48\u0e1b\u0e35 \u0e04.\u0e28. 1984 \u0e41\u0e25\u0e30\u0e43\u0e19\u0e1b\u0e35 \u0e04.\u0e28. 1989 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e23\u0e31\u0e1a\u0e41\u0e15\u0e48\u0e07\u0e15\u0e31\u0e49\u0e07\u0e43\u0e2b\u0e49\u0e40\u0e1b\u0e47\u0e19\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e17\u0e35\u0e48\u0e2a\u0e16\u0e32\u0e1a\u0e31\u0e19\u0e14\u0e19\u0e15\u0e23\u0e35\u0e41\u0e2b\u0e48\u0e07\u0e23\u0e31\u0e10\u0e04\u0e32\u0e23\u0e4c\u0e25\u0e2a\u0e23\u0e39\u0e40\u0e2d\u0e2d (Staatliche Hochschule f\u00fcr Musik in Karlsruhe)&nbsp;<\/p>\n\n\n\n<p>\u0e40\u0e21\u0e37\u0e48\u0e2d\u0e44\u0e21\u0e48\u0e19\u0e32\u0e19\u0e21\u0e32\u0e19\u0e35\u0e49 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e40\u0e23\u0e34\u0e48\u0e21\u0e2a\u0e2d\u0e19\u0e17\u0e35\u0e48\u0e42\u0e23\u0e07\u0e40\u0e23\u0e35\u0e22\u0e19\u0e14\u0e19\u0e15\u0e23\u0e35\u0e40\u0e2d\u0e42\u0e01\u0e25 \u0e19\u0e2d\u0e23\u0e4c\u0e21\u0e32\u0e25 \u0e2d\u0e31\u0e25\u0e40\u0e1f\u0e23\u0e14 \u0e04\u0e2d\u0e23\u0e4c\u0e42\u0e15\u0e15\u0e4c (\u00c9cole Normale Alfred Cortot) \u0e43\u0e19\u0e01\u0e23\u0e38\u0e07\u0e1b\u0e32\u0e23\u0e35\u0e2a \u0e41\u0e25\u0e30\u0e17\u0e35\u0e48\u0e42\u0e04\u0e23\u0e07\u0e01\u0e32\u0e23\u0e2d\u0e32\u0e42\u0e27\u0e2a\u0e4c \u0e42\u0e1b\u0e23\u0e40\u0e08\u0e01\u0e15\u0e4c (Avos Project) \u0e43\u0e19\u0e01\u0e23\u0e38\u0e07\u0e42\u0e23\u0e21 \u0e40\u0e02\u0e32\u0e44\u0e14\u0e49\u0e1a\u0e31\u0e19\u0e17\u0e36\u0e01\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e01\u0e31\u0e1a\u0e04\u0e48\u0e32\u0e22\u0e40\u0e1e\u0e25\u0e07 Philips, EMI, Novalis \u0e41\u0e25\u0e30 Camerata Tokyo<\/p>\n\n\n\n<p>\u0e42\u0e18\u0e21\u0e31\u0e2a \u0e2d\u0e34\u0e19\u0e40\u0e14\u0e2d\u0e23\u0e4c\u0e21\u0e37\u0e2d\u0e40\u0e25\u0e2d \u0e40\u0e1b\u0e47\u0e19\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19\u0e02\u0e2d\u0e07<strong>&nbsp;Rigoutat<\/strong>&nbsp;\u0e21\u0e32\u0e15\u0e31\u0e49\u0e07\u0e41\u0e15\u0e48\u0e1b\u0e35 \u0e04.\u0e28. 1972&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-1024x683.jpeg\" alt=\"\" class=\"wp-image-3451\" srcset=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-1024x683.jpeg 1024w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-300x200.jpeg 300w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-768x512.jpeg 768w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-1536x1024.jpeg 1536w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-2048x1365.jpeg 2048w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-18x12.jpeg 18w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-24x16.jpeg 24w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-36x24.jpeg 36w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/Nuttha-pic-120x80.jpeg 120w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\"><strong>Nuttha Kuankajorn<\/strong><\/h3>\n\n\n\n<p>Bangkok-born Nuttha Kuankajorn is a prominent figure in Thailand\u2019s classical music scene, recognized as a performer, educator, and podcast host.<\/p>\n\n\n\n<p>Nuttha received a full scholarship for her undergraduate studies at the Yong Siew Toh Conservatory of Music, National University of Singapore, where she studied with Rachel Walker, Principal Oboe of the Singapore Symphony Orchestra. In 2017, she earned her Master\u2019s Degree in Oboe Performance from the Hochschule f\u00fcr Musik Karlsruhe, Germany, and completed a Certificate of Advanced Study the following year under the mentorship of Professor Thomas Inderm\u00fchle.<\/p>\n\n\n\n<p>From 2019 to 2024, Nuttha served as Principal Oboe of the Royal Bangkok Symphony Orchestra before being appointed Principal Oboe of the Thailand Philharmonic Orchestra in January 2025. She currently teaches at the Faculty of Fine and Applied Arts, Chulalongkorn University, and Rugby International School. Alongside her orchestral and academic work, Nuttha is an active chamber musician and regularly presents solo and chamber recitals.<\/p>\n\n\n\n<p>Nuttha has performed extensively across Asia and Europe with renowned orchestras including the Baden-Baden Philharmonie, Mannheimer Philharmoniker, Baltic Sea Philharmonic, Malaysian Philharmonic Orchestra, and Singapore Symphony Orchestra, among others. In addition, she has participated in major music festivals across Thailand, Germany, Spain, the UK, Taiwan, Singapore, China, Japan, and Nepal.<\/p>\n\n\n\n<p>As a soloist, Nuttha has been invited multiple times to perform concertos with CU Symphony Orchestra and the Royal Bangkok Symphony Orchestra. She attended masterclasses conducted by Christoph Hartmann, Jonathan Kelly, Dudu Carmel, Jacques Tys, Spyros Kontos, Christian Schmitt, Paolo Grazia, Gordon Hunt, Stefan Schilli, Kalev Kuljus, Simon Emes, Emanuel Abb\u00fchl and Yiu Song-Lam.<\/p>\n\n\n\n<p>Nuttha began her musical training with piano lessons at the age of five and took up the oboe at fifteen under the guidance of Chanannat Meenanan, Principal Oboe of the National Symphony Orchestra of Thailand.<\/p>\n\n\n\n<p>Nuttha is a Rigoutat artist and plays on a model \u2018J\u2019 oboe.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-768x1024.jpeg\" alt=\"\" class=\"wp-image-3452\" srcset=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-768x1024.jpeg 768w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-225x300.jpeg 225w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-1152x1536.jpeg 1152w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-9x12.jpeg 9w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-18x24.jpeg 18w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-27x36.jpeg 27w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277-75x100.jpeg 75w, https:\/\/klangkunst.co\/wp-content\/uploads\/2026\/01\/1d0d23d3-9841-4892-9f53-0aec77042277.jpeg 1536w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\"><strong>Kunatorn Teekakul<\/strong><\/h3>\n\n\n\n<p>Kunatorn Teekakul  is a Thai bassoonist. He began studying bassoon at the age of 17 with Ms. Kittima Molee.<\/p>\n\n\n\n<p>As a student, he has performed with numerous ensembles, including the Mahidol Symphony<br>Orchestra, Thailand Philharmonic Orchestra, Thai Youth Orchestra, Siam Sinfonietta, Million Wind<br>Philharmonic, Thai Symphony Orchestra, Bangkok Metropolitan Orchestra, and the Princess Galyani<br>Vadhana Institute of Music Youth Orchestra.<\/p>\n\n\n\n<p>He is currently a member of the Bangkok Metropolitan Orchestra. He studies bassoon with Chris<br>Schaub at the College of Music, Mahidol University.<\/p>\n\n\n\n<p>Kunatorn is a founding member of the Thailand Double Reed Society and appeared as a soloist at<br>the Thailand Double Reed Society Concert 2022 at the Princess Galyani Vadhana Institute of Music.<br>He also served as Head Volunteer and Artist at the International Double Reed Conference 2023,<br>held at the College of Music, Mahidol University, Thailand.<\/p>\n\n\n\n<p>He has participated in masterclasses with Sophie Devaux, Christian Kunert, Amy Pollard, Ingo<br>Goritzky, and Yoshi Ishikawa.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-683x1024.jpg\" alt=\"\" class=\"wp-image-3174\" srcset=\"https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-683x1024.jpg 683w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-200x300.jpg 200w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-768x1152.jpg 768w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-1024x1536.jpg 1024w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-1365x2048.jpg 1365w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-8x12.jpg 8w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-16x24.jpg 16w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-24x36.jpg 24w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-67x100.jpg 67w, https:\/\/klangkunst.co\/wp-content\/uploads\/2025\/03\/1731891809098-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\"><strong><strong><strong>\u0e23\u0e2a\u0e34\u0e01\u0e21\u0e19 \u0e28\u0e34\u0e22\u0e30\u0e1e\u0e07\u0e29\u0e4c&nbsp;<\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p>\u0e23\u0e2a\u0e34\u0e01\u0e21\u0e19 \u0e28\u0e34\u0e22\u0e30\u0e1e\u0e07\u0e29\u0e4c\u0e44\u0e14\u0e49\u0e23\u0e48\u0e27\u0e21\u0e1a\u0e23\u0e23\u0e40\u0e25\u0e07\u0e14\u0e19\u0e15\u0e23\u0e35\u0e01\u0e31\u0e1a\u0e19\u0e31\u0e01\u0e23\u0e49\u0e2d\u0e07\u0e41\u0e25\u0e30\u0e19\u0e31\u0e01\u0e14\u0e19\u0e15\u0e23\u0e35\u0e40\u0e1b\u0e47\u0e19\u0e1b\u0e23\u0e30\u0e08\u0e33\u0e17\u0e31\u0e49\u0e07\u0e43\u0e19\u0e22\u0e38\u0e42\u0e23\u0e1b\u0e41\u0e25\u0e30\u0e40\u0e2d\u0e40\u0e0a\u0e35\u0e22 \u0e40\u0e18\u0e2d\u0e17\u0e33\u0e07\u0e32\u0e19\u0e43\u0e19\u0e15\u0e33\u0e41\u0e2b\u0e19\u0e48\u0e07 collaborative pianist 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\u0e16\u0e39\u0e01\u0e2d\u0e2d\u0e01\u0e2d\u0e32\u0e01\u0e32\u0e28\u0e1c\u0e48\u0e32\u0e19\u0e23\u0e32\u0e22\u0e01\u0e32\u0e23\u201c Das \u00d61 Konzert\u201d \u0e17\u0e32\u0e07\u0e27\u0e34\u0e17\u0e22\u0e38\u0e2d\u0e2d\u0e2a\u0e40\u0e15\u0e23\u0e35\u0e22\u0e43\u0e19\u0e1b\u0e35 2561&nbsp;&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p>\u0e14\u0e19\u0e15\u0e23\u0e35\u0e2a\u0e21\u0e31\u0e22\u0e43\u0e2b\u0e21\u0e48\u0e16\u0e37\u0e2d\u0e40\u0e1b\u0e47\u0e19\u0e2d\u0e35\u0e01\u0e2b\u0e19\u0e36\u0e48\u0e07\u0e04\u0e27\u0e32\u0e21\u0e2a\u0e19\u0e43\u0e08\u0e02\u0e2d\u0e07\u0e23\u0e2a\u0e34\u0e01\u0e21\u0e19 \u0e40\u0e18\u0e2d\u0e44\u0e14\u0e49\u0e23\u0e48\u0e27\u0e21\u0e41\u0e2a\u0e14\u0e07\u0e43\u0e19\u0e07\u0e32\u0e19 Thailand International Composition Festival \u0e2d\u0e22\u0e39\u0e48\u0e1a\u0e48\u0e2d\u0e22\u0e04\u0e23\u0e31\u0e49\u0e07 \u0e40\u0e18\u0e2d\u0e40\u0e1b\u0e47\u0e19\u0e2a\u0e21\u0e32\u0e0a\u0e34\u0e01\u0e02\u0e2d\u0e07\u0e27\u0e07 Contemporary Enclave \u0e0b\u0e36\u0e48\u0e07\u0e40\u0e1b\u0e47\u0e19\u0e27\u0e07\u0e14\u0e19\u0e15\u0e23\u0e35\u0e17\u0e35\u0e48\u0e21\u0e35\u0e08\u0e38\u0e14\u0e21\u0e38\u0e48\u0e07\u0e2b\u0e21\u0e32\u0e22\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e2a\u0e19\u0e31\u0e1a\u0e2a\u0e19\u0e38\u0e19\u0e14\u0e19\u0e15\u0e23\u0e35\u0e23\u0e48\u0e27\u0e21\u0e2a\u0e21\u0e31\u0e22 \u0e19\u0e2d\u0e01\u0e08\u0e32\u0e01\u0e19\u0e35\u0e49\u0e40\u0e18\u0e2d\u0e22\u0e31\u0e07\u0e1b\u0e23\u0e32\u0e01\u0e0f\u0e15\u0e31\u0e27\u0e43\u0e19 \"Kaleidoskopder Zukunft in Wort und Ton\" \u0e43\u0e19 Badausseer Gespr\u00e4che \u0e43\u0e19\u0e1b\u0e35 2018 \u0e2d\u0e35\u0e01\u0e14\u0e49\u0e27\u0e22&nbsp; &nbsp;<\/p>\n\n\n\n<p>\u0e43\u0e19\u0e1b\u0e35 2557 \u0e40\u0e18\u0e2d\u0e08\u0e1a\u0e01\u0e32\u0e23\u0e28\u0e36\u0e01\u0e29\u0e32\u0e08\u0e32\u0e01\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22\u0e14\u0e38\u0e23\u0e34\u0e22\u0e32\u0e07\u0e04\u0e28\u0e34\u0e25\u0e1b\u0e4c \u0e21\u0e2b\u0e32\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22\u0e21\u0e2b\u0e34\u0e14\u0e25 \u0e2a\u0e32\u0e02\u0e32\u0e27\u0e34\u0e0a\u0e32\u0e40\u0e2d\u0e01\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07\u0e40\u0e1b\u0e35\u0e22\u0e42\u0e19\u0e14\u0e49\u0e27\u0e22\u0e40\u0e01\u0e35\u0e22\u0e23\u0e15\u0e34\u0e19\u0e34\u0e22\u0e21\u0e2d\u0e31\u0e19\u0e14\u0e31\u0e1a\u0e2b\u0e19\u0e36\u0e48\u0e07 \u0e40\u0e18\u0e2d\u0e40\u0e1b\u0e47\u0e19\u0e1c\u0e39\u0e49\u0e23\u0e31\u0e1a\u0e17\u0e38\u0e19\u0e20\u0e32\u0e22\u0e43\u0e15\u0e49\u0e01\u0e23\u0e2d\u0e1a\u0e02\u0e2d\u0e07 ASEA-Uninet \u0e41\u0e25\u0e30\u0e40\u0e02\u0e49\u0e32\u0e28\u0e36\u0e01\u0e29\u0e32\u0e15\u0e48\u0e2d\u0e17\u0e35\u0e48\u0e21\u0e2b\u0e32\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22 Mozarteum \u0e43\u0e19\u0e10\u0e32\u0e19\u0e30\u0e19\u0e31\u0e01\u0e40\u0e23\u0e35\u0e22\u0e19\u0e41\u0e25\u0e01\u0e40\u0e1b\u0e25\u0e35\u0e48\u0e22\u0e19\u0e43\u0e19\u0e1b\u0e35 2557 \u0e43\u0e19\u0e24\u0e14\u0e39\u0e23\u0e49\u0e2d\u0e19\u0e1b\u0e35 2562 \u0e40\u0e18\u0e2d\u0e2a\u0e33\u0e40\u0e23\u0e47\u0e08\u0e01\u0e32\u0e23\u0e28\u0e36\u0e01\u0e29\u0e32\u0e23\u0e30\u0e14\u0e31\u0e1a\u0e1b\u0e23\u0e34\u0e0d\u0e0d\u0e32\u0e42\u0e17\u0e2a\u0e32\u0e02\u0e32 vocal-accompaniment \u0e08\u0e32\u0e01\u0e21\u0e2b\u0e32\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22 University of Music and Performing Arts, Graz  \u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e2d\u0e2d\u0e2a\u0e40\u0e15\u0e23\u0e35\u0e22 \u0e42\u0e14\u0e22\u0e40\u0e1b\u0e47\u0e19\u0e19\u0e31\u0e01\u0e40\u0e23\u0e35\u0e22\u0e19\u0e02\u0e2d\u0e07 Ao. 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Ulf B\u00e4stlein<\/p>","protected":false},"excerpt":{"rendered":"<p>31st January 2026 19.00 Goethe-Saal, Goethe-Institut Thailand 18\/1 Soi Goethe, Khwaeng Thung Maha Mek, Sathon, Bangkok 10120, Thailand Tickets 800 Baht \/ Student with ID: 350 Baht For inquiries and reservations, please contact :&nbsp; info.klangkunst@gmail.com or https:\/\/lin.ee\/cx7AqzU Step into a world of sound shaped by history, mastery, and living tradition. Across Centuries&nbsp;brings together a remarkable [&hellip;]<\/p>","protected":false},"author":5,"featured_media":3474,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[40],"tags":[],"class_list":["post-3449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-events"],"_links":{"self":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/3449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/comments?post=3449"}],"version-history":[{"count":6,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/3449\/revisions"}],"predecessor-version":[{"id":3472,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/3449\/revisions\/3472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/media\/3474"}],"wp:attachment":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/media?parent=3449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/categories?post=3449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/tags?post=3449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}