\u0e1a\u0e38\u0e04\u0e04\u0e25\u0e17\u0e31\u0e48\u0e27\u0e44\u0e1b 800 \u0e1a\u0e32\u0e17\/ \u0e19\u0e31\u0e01\u0e40\u0e23\u0e35\u0e22\u0e19 \u0e19\u0e31\u0e01\u0e28\u0e36\u0e01\u0e29\u0e32 350 \u0e1a\u0e32\u0e17<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
\u0e2a\u0e32\u0e21\u0e32\u0e23\u0e16\u0e2a\u0e33\u0e23\u0e2d\u0e07\u0e17\u0e35\u0e48\u0e19\u0e31\u0e48\u0e07\u0e44\u0e14\u0e49\u0e17\u0e35\u0e48 <\/strong><\/p>\n\n\n\n info.klangkunst@gmail.com<\/a> \u0e2b\u0e23\u0e37\u0e2d https:\/\/lin.ee\/cx7AqzU<\/a><\/p>\n\n\n\n “Ich tr\u00e4umte von bunten Blumen, So wie sie wohl bl\u00fchen im Mai “I dreamt of many-hued flowers, such as bloom in May. After having completed the cycle of songs, Franz Schubert is supposed to have said to a group of friends, “Die Winterreise” or “Winter Journey” is a setting of a poem by Wilhelm M\u00fcller, a story of a young man with the incurable wound in his heart who wandering through Winter, driven out by overwhelming emotional frustration into the hostile, frost-bound winter landscape.<\/p>\n\n\n\n Are you perhaps this man? \u0e23\u0e32\u0e22\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07<\/strong><\/p>\n\n\n\n Die Winterreise, D. 911 <\/strong><\/p>\n\n\n\n Gute Nacht<\/p>\n\n\n\n Die Wetterfahne<\/p>\n\n\n\n Gefror\u2019ne Thr\u00e4nen<\/p>\n\n\n\n Erstarrung<\/p>\n\n\n\n Der Lindenbaum<\/p>\n\n\n\n Wasserfluth<\/p>\n\n\n\n Auf dem Flusse<\/p>\n\n\n\n R\u00fcckblick<\/p>\n\n\n\n Irrlicht<\/p>\n\n\n\n Rast<\/p>\n\n\n\n Fr\u00fchlingstraum<\/p>\n\n\n\n Einsamkeit<\/p>\n\n\n\n Die Post<\/p>\n\n\n\n Der greise Kopf<\/p>\n\n\n\n Die Kr\u00e4he<\/p>\n\n\n\n Letzte Hoffnung<\/p>\n\n\n\n Im Dorfe<\/p>\n\n\n\n Der st\u00fcrmische Morgen<\/p>\n\n\n\n T\u00e4uschung<\/p>\n\n\n\n Der Wegweiser<\/p>\n\n\n\n Das Wirtshaus<\/p>\n\n\n\n Muth<\/p>\n\n\n\n Die Nebensonnen<\/p>\n\n\n\n Der Leiermann<\/p>\n\n\n\n John Tneoh, Tenor<\/strong><\/p>\n\n\n\n Usa Napawan, Piano<\/strong><\/p>\n\n\n\n John Tneoh<\/strong><\/p>\n\n\n\n A native of Penang, Malaysia, John Tneoh was trained at Ouachita Baptist University in the United States, where he majored in Voice Performance with a minor in Piano. <\/p>\n\n\n\n Tneoh’s musical journey began at four when he took piano lessons and eventually completed his Associated Board of Royal Schools of Music (ABRSM) Grade 8 Examinations. Tneoh was also heavily involved in choral music during high school, which led to private lessons with German-trained mezzo-soprano Hooi Lay Khoo before pursuing his tertiary education. He was offered a piano and voice performance major during his university entrance exam, and he decided on the latter.<\/p>\n\n\n\n Throughout his collegiate years, Tneoh sang roles including Peter in Humperdinck’s H\u00e4nsel und Gretel, Simon\u00e9 in Puccini’s Gianni Schicchi, Papageno in Mozart’s Die Zauberfl\u00f6te, and Masetto in Don Giovanni, a role which he would reprise in the Fall of 2022. Professionally, he has also performed internationally as Count Almaviva (Le nozze di Figaro), Vicomte Cascada (Die L\u00fcstige Witwe), Prince Yamadori & Il Commissario (Madama Butterfly), Masetto & Il Commendatore (Don Giovanni), Mayor (A Happy Prince), and most recently as Slook in Rossini’s La cambiale di matrimonio.<\/p>\n\n\n\n Tneoh is also no stranger to performing as a soloist in both orchestral and recital settings; his repertoire includes bass\/baritone solos in Faure’s Requiem, Haydn’s Missa in Angustiis & Missa in tempore belli, Monteverdi’s Madrigalist guierrieri et amoroso, Bruckner’s Te Deum, Schumann’s song cycle Dichterliebe and more recently in H\u00e4ndel’s Messiah with the Siam Sinfonietta. <\/p>\n\n\n\n Performing with Usa Napawan in Schubert’s Winterreise comes full circle as the duo’s first performance more than a decade ago was the fifth number of the song cycle, Der Lindenbaum.<\/p>\n\n\n\n \u0e2d\u0e38\u0e29\u0e32 \u0e19\u0e20\u0e32\u0e27\u0e23\u0e23\u0e13<\/strong> <\/p>\n\n\n\n \u0e2a\u0e33\u0e40\u0e23\u0e47\u0e08\u0e01\u0e32\u0e23\u0e28\u0e36\u0e01\u0e29\u0e32\u0e23\u0e31\u0e10\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e1a\u0e31\u0e13\u0e11\u0e34\u0e15 (\u0e2a\u0e32\u0e02\u0e32\u0e04\u0e27\u0e32\u0e21\u0e2a\u0e31\u0e21\u0e1e\u0e31\u0e19\u0e18\u0e4c\u0e23\u0e30\u0e2b\u0e27\u0e48\u0e32\u0e07\u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28) \u0e08\u0e38\u0e2c\u0e32\u0e25\u0e07\u0e01\u0e23\u0e13\u0e4c\u0e21\u0e2b\u0e32\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22 \u0e41\u0e25\u0e30 \u0e28\u0e34\u0e25\u0e1b\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e21\u0e2b\u0e32\u0e1a\u0e31\u0e13\u0e11\u0e34\u0e15 (\u0e2a\u0e32\u0e02\u0e32\u0e14\u0e19\u0e15\u0e23\u0e35\u0e1b\u0e0f\u0e34\u0e1a\u0e31\u0e15\u0e34) \u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22\u0e14\u0e38\u0e23\u0e34\u0e22\u0e32\u0e07\u0e04\u0e28\u0e34\u0e25\u0e1b\u0e4c \u0e21\u0e2b\u0e32\u0e27\u0e34\u0e17\u0e22\u0e32\u0e25\u0e31\u0e22\u0e21\u0e2b\u0e34\u0e14\u0e25 \u0e42\u0e14\u0e22\u0e40\u0e23\u0e35\u0e22\u0e19\u0e40\u0e1b\u0e35\u0e22\u0e42\u0e19\u0e01\u0e31\u0e1a \u0e1c\u0e28.\u0e14\u0e23.\u0e19\u0e20\u0e19\u0e31\u0e19\u0e17\u0e4c \u0e08\u0e31\u0e19\u0e17\u0e23\u0e2d\u0e23\u0e17\u0e31\u0e22\u0e01\u0e38\u0e25 <\/p>\n\n\n\n \u0e21\u0e35\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07\u0e23\u0e48\u0e27\u0e21\u0e01\u0e31\u0e1a\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19\u0e17\u0e31\u0e49\u0e07\u0e0a\u0e32\u0e27\u0e44\u0e17\u0e22\u0e41\u0e25\u0e30\u0e0a\u0e32\u0e27\u0e15\u0e48\u0e32\u0e07\u0e0a\u0e32\u0e15\u0e34\u0e2d\u0e22\u0e48\u0e32\u0e07\u0e15\u0e48\u0e2d\u0e40\u0e19\u0e37\u0e48\u0e2d\u0e07 \u0e40\u0e0a\u0e48\u0e19 \u0e2d\u0e20\u0e34\u0e0a\u0e31\u0e22 \u0e40\u0e25\u0e35\u0e48\u0e22\u0e21\u0e17\u0e2d\u0e07, \u0e01\u0e31\u0e25\u0e22\u0e32\u0e13\u0e4c \u0e1e\u0e07\u0e28\u0e18\u0e23, \u0e0a\u0e31\u0e22\u0e20\u0e31\u0e17\u0e23 \u0e44\u0e15\u0e23\u0e1e\u0e34\u0e1e\u0e34\u0e18\u0e2a\u0e34\u0e23\u0e34\u0e27\u0e31\u0e12\u0e19\u0e4c, Jonathon Glonek, Julien Beaudiment, Trevor Wye, Raphael Leone, James Hall, Marco Antonio Mazzini, Arnaldo de Felice, Angela Firkins \u0e41\u0e25\u0e30 Gianni Biocotino. \u0e40\u0e21\u0e37\u0e48\u0e2d\u0e1b\u0e35 2019 \u0e44\u0e14\u0e49\u0e23\u0e31\u0e1a\u0e40\u0e0a\u0e34\u0e0d\u0e44\u0e1b\u0e40\u0e02\u0e49\u0e32\u0e23\u0e48\u0e27\u0e21 \u201c4to Congreso Latinoamericano de Clarinetistas\u201d \u0e17\u0e35\u0e48\u0e01\u0e23\u0e38\u0e07\u0e25\u0e34\u0e21\u0e48\u0e32 \u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e40\u0e1b\u0e23\u0e39 \u0e42\u0e14\u0e22\u0e41\u0e2a\u0e14\u0e07\u0e23\u0e48\u0e27\u0e21\u0e01\u0e31\u0e1a \u0e0a\u0e31\u0e22\u0e20\u0e31\u0e17\u0e23 \u0e44\u0e15\u0e23\u0e1e\u0e34\u0e1e\u0e34\u0e18\u0e2a\u0e34\u0e23\u0e34\u0e27\u0e31\u0e12\u0e19\u0e4c, Edwin Rodriguez and Sergio Bosi. <\/p>\n\n\n\n Currently, she is a sought-after educator and collaborative pianist who performs regularly with both Thai and international artists, in recitals and festivals, including Jonathon Glonek, Julien Beaudiment, James Hall, Philippe Cuper, Edwin Rodriguez, Sergio Bosi, Arnaldo de Felice, Angela Firkins, Gianni Biocotino, Johan van der Linden, Robert Visser, Lia Uribe, and Magnus Nilsson. She’s also a piano faculty at international schools and Princess Galyani Vadhana Institute of Music (collaborative piano and chamber music).<\/p>\n\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" 1 March 2024 19.30 Goethe-Saal, Goethe-Institut Thailand 18\/1 Soi Goethe, Khwaeng Thung Maha Mek, Sathon, Bangkok 10120, Thailand Tickets 800 Baht \/ Student with ID: 350 Baht For inquiries and reservations, please contact : info.klangkunst@gmail.com or https:\/\/lin.ee\/cx7AqzU “Ich tr\u00e4umte von bunten Blumen, So wie sie wohl bl\u00fchen im MaiIch tr\u00e4umte von gr\u00fcnen Wiesen, Von lustigem […]<\/p>","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[28,8],"tags":[],"class_list":["post-2909","post","type-post","status-publish","format-standard","hentry","category-concert","category-event"],"_links":{"self":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/2909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/comments?post=2909"}],"version-history":[{"count":1,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/2909\/revisions"}],"predecessor-version":[{"id":2918,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/posts\/2909\/revisions\/2918"}],"wp:attachment":[{"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/media?parent=2909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/categories?post=2909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klangkunst.co\/th\/wp-json\/wp\/v2\/tags?post=2909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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Ich tr\u00e4umte von gr\u00fcnen Wiesen, Von lustigem Vogelgeschrei.”<\/p>\n\n\n\n
I dreamt of green meadows and of the merry chirping of birds.”<\/p>\n\n\n\n
“I will sing through a cycle of dreadful songs for you.”<\/p>\n\n\n\n
Let us wander through this Winter together until the spring comes.<\/p>\n\n\n\n
\n\n\n\n
Franz Schubert <\/strong><\/p>\n\n\n\n
\n\n\n\n\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19<\/strong><\/h2>\n\n\n
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